voidisyinyang

Geometric mean = alogon as irrational number. 9/8 cubed = square root of two = Devil’s Interval tritone 5/4 = cube root of two 3/2 squared = 9/4 halved into octave as 9/8. 3/2 x 4/3 = 2 (geometric mean squared). log(3:2×4:3)=log(2:1) log(3:2)+log(4:3)=log(2:1) Math professor Luigi Borzacchini called this cover-up by Plato and Archytas, “shocking” and “really astonishing” and the new alogon-based math created a “deep preestablished disharmony” that guides the evolution of Western science.

Alan C. Bowen, "The Minor Sixth (8:5) in Early Greek Harmonic Science," The American Journal of Philology, 1978. So by not allowing 2/3 then the noncommutative phase was covered up.

https://www.ams.jhu.edu/dan-mathofmusic/notes-intervals/ So people learn - by 10th grade - they are brainwashed by symmetric math! It originates from the WRONG music theory! haha. Professor Richard McKirahan reveals the secret - the literal "flipping around" of the Lyre by Philolaus: André Barbera, "The Consonant Eleventh and the Expansion of the Musical Tetractys: A Study of Ancient Pythagoreanism," Journal of Music Theory, 1984, citing Ptolemy of 2nd century. Professor Andrew Barker, Oxford, emeritus, p. 58, Scientific Method in Ptolemy's Harmonics So Orthodox Pythagorean music theory does not include 9/8 based on irrational magnitude from the Lie of Philolaus by flipping his lyre around. Orthodox Pythagorean music theory is the same as Daoist alchemy harmonics and Indian Raga harmonics. Or as Professor Borzacchini states:

So there is a Harvard physicist Andrew Strominger who works with Stephen Hawking - and says that the future already exists and reality is a holograph. So the 4D universe is actually a projection of this 5th dimension of noncommutative phase that is time-like. This is how precognition is real. As quantum cosmologist Dr. Neil Turok explains, when you analyze the amplitude (time-wavelength) of variation of temperature against “pitch” or energy-frequency scale of the whole Universe: Oct. 7, 2015 lecture, “The Astonishing Simplicity of Everything” So Matter is created from energy as light - but MASS is spacetime that is relativistic. So because light has relativistic mass the "virtual photons" are from the future but as antimatter they still have a "positive pressure" as phonon energy that is momentum. This is what de Broglie discovered. This "momentum" is guiding reality from the future as the "pilot wave" or 5th dimension. So that energy can be stored inside our bodies as phonon or pressure energy - that is negentropic or reverse time energy. It is "captured" virtual photons with positive phonon momentum pressure. Erik Verlinde on the Holographic Entanglement Entropy Dark Universe Gravity is emergent as a cone (Full Lotus pyramid tetrahedron) from quantum entanglement entropy information (noncommutative). Quantum physicist Jean Charon. Avshalom C. Elitzur, Shahar Dolev Black-Hole Uncertainty Entails An Intrinsic Time Arrow, Dec. 2000 So this last quote assumes a Western left-brain/right hand "external" materialistic reality. Whereas internal listening as meditation is faster than time-frequency uncertainty and so can reverse the entropy!

"Non commutativity is the central mathematical concept expressing the uncertainty." 2012 pdf link So time-frequency uncertainty is from noncommutative phase which is nonlocal as nondualism. It is just that Western science typically converts time-frequency uncertainty into symmetric geometric math - hence the 720 degree spin as symmetry. So in nonwestern harmonics there is infinite resonance as time-frequency energy as complementary opposites. So for a male you hold the right hand (yin) against the upper body (yang) and visualize energy to the left foot (yang) from the right hand (yin) and the left hand (yang) faces the lower body (yin) - and this is just like licking a 9-volt battery - it turns the body into an infinite time-frequency energy resonator. And so the left eye and right eye are rotated - so that the lights and energy of the eyes combine as yin and yang. So normally the yin and yang channels run "parallel" as linear time and so with "entropy" - aging. So by reversing - there is a double reverse. - the Yang embraces the yin of the lower body and the yin embraces the yang of the upper body. And this energy connection is superluminal - through the 5th dimension.

Former Hampshire College physicist Lawrence Domash, confirms superluminal quantum sound as noncommutative meditation! 1975, pdf

Tim Maudlin - NYU Philosophy of Science Professor - The Directionality of Time as the Fundamental of Reality - time is asymmetric order:

Dr. Stephon Alexander published on superluminal speeds at the inflation of the universe because of noncommutative geometry - this is the quantum cosmology of de Broglie. As he writes: Physics Professor Stephon Alexander, author of the Jazz of Physics.

According to mainstream science time is converted to space and then it is argued that time can be reversible. But what noncommutative phase has discovered is that actually time is fundamental and it is not equally reversible - and so entropy is built into spacetime itself - and into science as a construct.

O.K. the Perfect Fifth is 2/3 harmonic if the root tonic is "1" - so you call the 1 a "C" note in geometry. You double the note as 2 so it is the same "pitch" as C. The next note is the natural resonance harmonic as 3 - it is a G in "frequency" - as the Perfect Fifth is 3/2. But the Perfect Fifth is ALSO 2/3 as C to F that is a subharmonic. So time is inverse to frequency - this is the basic principle of Pythagoras. But you can not "contain" 2 into 3 evenly and so when you try to divide up the octave based on the natural harmonic of 2/3 then you discover there is no "rational" division. What Western science did is then create a "continuum" and state we will "change" the harmonics into a "contained" geometric space - instead of time-frequency ratios. In order to create this "continuum" using "points" on the line - there was a switch from linear magnitude to geometric magnitude by changing the harmonics. This "switch" was done by Philolaus and to do it you have to change the original value of the "1." In other words ONLY 3/2 can be used as the Perfect Fifth and the 2/3 as Perfect Fifth or C to F subharmonic has to be "doubled" or "averaged" into 4/3 as the Perfect Fourth, C to F. So this is not a "Natural" overtone but instead covers up the noncommutative phase truth of G=3=F at the same time. I realized this in high school music theory class taught by my piano teacher. So now I did not have a Ph.D. in math at the time - I was just honest about logic and realized there was an error in the music theory logic.

No - something deeper - time-frequency uncertainty means geometry is not the foundation of reality but instead TIME is the foundation of reality. http://www.geocities.jp/imyfujita/wtcuncertain.html So Alain Connes is taking about a mathematical principle or structure of logic that is found in music theory. This is due to symmetric mathematics that is the error of WEstern science. Nonwestern music does not have this error.

O.K. you will have to study Basil J. Hiley and other quantum physicists. This is nothing about a geometric "point" - in fact it is disproof of the concept of a geometric "point." The geometric "point" is based on the concept of the geometric continuum. You have to study math professor Luigi Borzacchini - the link I gave. I quoted him saying the continuum does not exist.

Nonlocal means nondual. But nonlocal actually means noncommutative - as in "not-two" or in two places at the same time. So this is noncommutative - meaning it is asymmetric resonance. The T'ai Chi symbol can not be a "fractal" because the T'ai Chi is not symmetric geometry. So it continues infinitely as time-frequency resonance. You can logically infer it but not see it - so it is the 5th dimension as alchemy.

So we can make this as "simple" as we want - but as qigong master Chunyi Lin says, "The simplest is the most powerful." So by Indian Raga music - meaning Nonwestern music, just as with traditional Chinese music tuning. It is simple 1:2:3:4 as complementary opposites. Why do Westerners not understand this? Deep mind control since Plato: (Science News, 2014)

http://noncommutativegeometry.blogspot.com/2012/10/the-music-of-spheres.html http://elixirfield.blogspot.com/2018/08/revisiting-noncommutative-music-of.html Alain Connes. His student, Masoud Khalkhali also explains this music connection as being noncommutative. The link posts the images from his slide talk. https://www.fields.utoronto.ca/programs/scientific/14-15/summer-research14/KhalKhaliIntroSlides.pdf THE MUSIC OF SPHERES So Connes practices Chopin at home - he doesn't realize that Nonwestern Music is Noncommutative fundamentally - just by not "containing" the geometry as symmetric logic. Stuart Hameroff does realize that nonwestern music models the noncommutative resonance. I have corresponded with Hameroff. ‘Change the music’ – Psychotherapy and microtubule vibrations October 21, 2014 Commentary on: Lane et al, Memory reconsolidation, emotional arousal and the process of change in psychotherapy: New insights from brain science In their BBS Target Article, Lane et al (2014) recommend eliciting traumatic memory with concomitant positive emotional experience to ‘re-consolidate’ an alternative memory, over-writing, if not erasing the trauma, leading to psychotherapeutic benefit. In this worthy effort the authors claim new insight from brain science, but lack (as does mainstream science in general) actual neurobiological mechanisms for emotional experience (consciousness), and memory (encoding, consolidation/re-consolidation, storage and recall). When asked why he robs banks, the notorious criminal Willie Sutton famously answered: “because that’s where the money is!” To delete or over-write traumatic memories, we need to know where and how they are encoded and consolidated. And improving conscious experience (an essential therapeutic goal) might be far easier if we knew how it was mediated. It is my contention (definitely a minority contention, but one supported by evidence) that in contrast to conventional wisdom, both memory and consciousness are rooted inside brain neurons, in vibrational states of microtubules. Mainstream science considers consciousness to emerge from complex computation among brain neurons, each acting as fundamental units of information. But such views lack specifics and fail to generate testable predictions. Moreover, single cell organisms such as paramecia exhibit complex cognition (e.g. finding food and mates, sex and learning) without synaptic connections, using their cytoskeletal microtubules. These same microtubules are found inside brain neurons, as major components of the cytoskeleton, self-assembling to shape neurons and regulate synapses. They are lattice polymers of tubulin, the brain’s most prevalent protein, and theorized to process and store information (Hameroff and Watt, 1982; Rasmussen at al, 1990). Microtubule disruption, e.g. in Alzheimer’s disease, correlates with cognitive dysfunction. A maverick theory of consciousness (Penrose-Hameroff ‘orchestrated objective reduction’, ‘Orch OR’, e.g. Penrose and Hameroff, 1995; Hameroff and Penrose, 2014) suggests quantum vibrational computations in microtubules inside brain neurons 1) produce conscious experience, and 2) regulate neuronal firings and synaptic plasticity. In Orch OR, microtubule quantum vibrations are ‘orchestrated’ (‘Orch’) by synaptic inputs and memory (encoded in microtubules), and terminated by ‘objective reduction’ (‘OR’), Penrose’s solution to the measurement problem in quantum mechanics (Penrose, 1989). Orch OR has been viewed skeptically and harshly criticized, as the brain has been considered too ‘warm, wet and noisy’ for seemingly delicate quantum effects. But in recent years warm quantum biology has been recognized in photosynthesis, bird navigation, olfaction, and in microtubules. Quantum resonant vibrations in megahertz and kilohertz frequencies have been discovered in single isolated microtubules, and bundles of microtubules inside active neurons (Sahu et al, 2013a; 2013b; Ghosh et al, 2014), validating Orch OR’s biological plausibility. Orch OR now further suggests microtubule vibrations (e.g. in megahertz) interfere to cause music-like (electrophysiological) ‘beats’ seen as EEG rhythms (Hameroff and Penrose, 2014). Indeed, microtubule resonant vibrations have been likened to music, specifically anharmonic Indian Raga (Ghosh et al, 2014). Recent evidence also shows that anesthetics (which selectively erase consciousness) act on microtubules, rather than membrane receptors as is generally assumed (Emerson et al, 2013). The maverick Orch OR theory has far more supportive evidence than do any mainstream approaches to consciousness. Memory is generally attributed to synaptic plasticity, but synaptic components are transient, and yet memories can last lifetimes. Again, microtubules play key roles, as synapses are formed, maintained and regulated by microtubules and associated proteins. In long term potentiation (‘LTP’, a cellular model for memory), calcium influx activates CaMKII, a hexagonal holoenzyme which then extends sets of 6 kinase domains (each domain able to phosphorylate a substrate). The CaMKIIs rapidly distribute to microtubules throughout dendritic trees, and (somehow) encode memory, presumably by phosphorylation (Lemieux et al, 2012). On each CaMKII, 6 kinase domains can bind (and phosphorylate) precisely 6 tubulins in microtubule hexagonal lattices, and can encode 6 ‘bits’ of memory per CaMKII (Craddock et al, 2012) onto dendritic microtubules which are uniquely stable and ideally positioned to encode memory. CaMKII phosphorylation of specific tubulins would modulate microtubule resonant vibrations like frets or nodes in a musical instrument, encoding memory, changing the tune and altering conscious experience. In a psychotherapy paradigm roughly similar to that proposed for human subjects by Lane et al, Cao et al (2008) elicited specific fear memories in mice, and then transiently overexpressed CaMKII, erasing (or over-writing) the fear memory. CaMKII overexpression presumably increased memory turnover, but required invasive genetic manipulation. It may be possible to noninvasively stimulate memory turnover (and mood enhancement) by direct effects on brain microtubules. The action of antidepressants, e.g. fluoxitene (Prozac) appears to involve restructuring of cytoskeletal microtubules over several weeks (Bianchi et al, 2009). More immediate effects may be addressed through non-invasive transcranial modalities. Among these are transcranial magnetic stimulation (‘TMS’), transcranial electrical, direct current stimulation (‘TDcS’) and transcranial ultrasound stimulation (‘TUS’). But only TUS can be narrowly focused to target specific, deeper brain regions (Legon et al, 2014). TUS consists of megahertz mechanical vibrations which, at low intensity, sub-thermal levels, safely penetrate skull and brain. As microtubules have megahertz vibrational resonances, TUS with proper settings might be expected to enhance microtubule resonance, and thereby affect cognition and mental states. Indeed, focused TUS enhanced sensory discrimination in human volunteers (Legon et al, 2014), and unfocused TUS improved mood in chronic pain patients (Hameroff et al, 2013). To erase or over-write traumatic memory, to change the music and re-tune the tubules, combinations of pharmacology, psychotherapy and TUS (e.g. aimed at microtubule vibrations in amygdala, hippocampus and pre-frontal cortex) may be optimal. As the Beatles sang, “Take a sad song and make it better”. References Bianchi M, Shah AJ, Fone KC, Atkins AR, Dawson LA, Heidbreder CA, et al (2009). Fluoxetine administration modulates the cytoskeletal micro-tubular system in the rat hippocampus. Synapse 63:359–64. Cao X, Wang H, Mei B, An S, Yin L, Wang P, Tsien JZ (2008) Inducible and Selective Erasure via Chemical-Genetic Manipulation. Neuron 60: 353–366. Craddock T, Tuszynski J, Hameroff S (2012) Cytoskeletal signaling: is memory encoded in microtubule lattices by CaMKII phosphorylation? PLoS Comput Biol 8(3):e1002421. Emerson D, Weiser B, Psonis J, Liao Z, Taratula O, Fiamengo A, et al (2013) Direct modulation of microtubule stability contributes to anthracene general anesthesia. J Am Chem Soc 2013;135(14):5398. Ghosh S, Aswani K, Singh S, Sahu S, Fujita D, Bandyopadhyay A (2014) Design and Construction of a Brain-Like Computer: A New Class of Frequency-Fractal Computing Using Wireless Communication in a Supramolecular Organic, Inorganic System Information 5(1):28-100 doi:10.3390/info5010028 Hameroff S, Penrose R (2014) Consciousness in the universe – Review of the Orch OR theory. Phys Life Rev http://www.sciencedirect.com/science/article/pii/S1571064513001188 Hameroff SR, Watt RC (1982) Information processing in microtubules. J Theor Biol 98:549–61. informationprocessing_hameroff_watt 1982.pdf (271.46 KB) Hameroff S, Trakas M, Duffield C, Annabi E, Gerace MB, Boyle P, et al (2013) Transcranial ultrasound (TUS) effects on mental states: a pilot study. Brain Stimul 3(6):409–15. Lane RD, Ryan L, Nadel L, Greenberg L (2013) Memory Reconsolidation, Emotional Arousal and the Process of Change in Psychotherapy: New Insights from Brain Science Behavioral and Brain Science, in press Legon W, Sato TF, Opitz A, Mueller J, Barbour A, Williams A, Tyler WJ (2014) Nature Neuroscience 17: 322–329 Lemieux M, Labrecque S, Tardif C, Labrie-Dion E, Lebel E, De Koninck P (2012) Translocation of CaMKII to dendritic microtubules supports the plasticity of local synapses. J Cell Biol: 198(6):1055-73 Penrose R (1989) The emperor’s new mind Oxford: Oxford University Press Penrose R, Hameroff SR (1995) What gaps? Reply to Grush and Churchland. J Conscious Stud 2:98–112 Rasmussen S, Karampurwala H, Vaidyanath R, Jensen K, Hameroff S (1990) Computational connectionism within neurons: a model of cytoskeletal automata subserving neural networks. Physica D 42:428–49. Sahu S, Ghosh S, Ghosh B, Aswani K, Hirata K, Fujita D, et al (2013) Atomic water channel controlling remarkable properties of a single brain microtubule: correlating single protein to its supramolecular assembly. Biosens Bioelectron 47:141–8. Sahu S, Ghosh S, Hirata K, Fujita D, Bandyopadhyay A (2013) Multi-level memory-switching properties of a single brain microtubule. Appl Phys Lett 102:123701. Stuart Hameroff MD Departments of Anesthesiology and Psychology Center for Consciousness Studies The University of Arizona, Tucson, Arizona

The quote from Hiley does not say that. You twisted the wording around. The "inner energy" IS the "noncommutative phase-space". The "phenomena" is what is measured by normal Western science once the noncommutative time-frequency uncertainty is "converted" to symmetric math - aka the Poisson Bracket. This is what Dirac discovered - and so it's called the "Dirac Dance." http://ecoechoinvasives.blogspot.com/2018/01/summarizing-de-broglie-pilot-wave-law.html I have 77 quotes that describe this deep secret of noncommutative phase - it was first discovered by Louis de Broglie as the Law of Phase Harmony. Physics professor B.G. Sidharth who predicted the Dark Energy acceleration of the Universe. Dr. Bernard d’Espagnat, “A tentative new approach to the Schroedinger cat problem,” Sir Roger Penrose. Huping Hu, Ph.D., J.D. Quantum physicist Dr. Nick Herbert: But perhaps human minds in their normal state exercise only a insignificant influence on Nature’s basic time/space symmetries but in Mesmeric trances, sexual transports or religious ecstasies, the powerfully experienced here/nowness of consciousness might induce extraordinary acts that violate the cherished laws of physics over and over and over again. Thus Emmy Noether can explain St. Joseph of Cupertino. Shi-Dong Liang, 2017 Guangdong Province, China, Sun Yat-Sen University, Physics department Michael Heller (Vatican Observatory) and Wieslaw Sasin (Warsaw University of Poland) I have corresponded with Professor Manfred Euler about his 2013 description of acoustic STM - Scanning Tunnelling Microscopy builds on his previous connections between the quantum acoustic realms. He responded to me: Manfred Euler is a Professor Emeritus of Physics at the University of Kiel. Protege of Heisenberg, Prof. Dr. Hans-Peter Dürr, former head of the Max Planck Institute Prof. Dr. Hans-Peter Dürr, former head of the Max Planck Institute for Physics in Munich This dude really understood quantum relativity!

So if you study the book Taoist Yoga: Alchemy and Immortality - it's all based on the principle of complementary opposites. Tibetan medical doctor listening secret Qigong Master Shen Wu: https://www.swjoyoflife.com/master-shen-wu-and-the-song-of-five-tones/

The "symmetry" is the logical ERROR of Western science. "It" can not be "brought back" into symmetry due to time-frequency uncertainty. See the Penrose image I posted above. Chapter: Non-commutative Structures from Quantum Physics to Consciousness Studies Full-text available · Chapter · Jan 2016 Harald Atmanspacher So this researcher is very similar to what Eddie Oshins originally discovered in the 1970s - only Oshins realized it was the secret to Neigong alchemy training as well. It's from the same nonwestern music that is found in ALL human cultures (except the West tried to convert this to symmetric math).

Quantum professor Basil J. Hiley, 2016: "Quantum Trajectories: Dirac, Moyal and Bohm" I have corresponded with Professor Hiley about noncommutative time-frequency. Quantum professor Basil J. Hiley, 2016: Quantum Trajectories: Dirac, Moyal and Bohm Hearing overcome uncertainty relation and measure duration of ultrashort pulses M Majka, P Sobieszczyk, R Gębarowski… - Europhysics …, 2015 - europhysicsnews.org Abstract The human hearing sense is an astonishingly effective signal processor. Recent experiments [1, 2, 3] suggest that it is even capable of overcoming limitations implied by the time-frequency uncertainty relation. The latter, mostly known from quantum mechanics, pdf link To quote the pdf: ...a significant number of results concentrate around the frequency (F= 3 x f) i.e. that of the third harmonic. The signal, therefore, seems to be nonlinear processed (distorted) prior to reaching the heart of the detector, i.e. the basilar membrane of the cochlea....In any case, the ratio [F/f] is roughly constant in the region where the supposed third harmonic is generated and, at the same time, the pulse is too short to allow the fundamental frequency to be detected. So time-frequency uncertainty originates from quantum nonlocality as noncommutative phase as the 5th dimension Let's see if I can find George Musser's quote about music - that I had posted. I know it's still online so I can cut and paste it, if necessary. Something like that is happening for real in the AdS/CFT scenario. The universe looks three-dimensional, but could really be a two-dimensional canvas, and what we perceive as distance along the third dimension is ultimately a difference in scale. Sound waves of different pitches can also behave like this. A Chinese gong begins rumbling at a low pitch and gradually vibrates at successively higher pitches. The necessity of propagating through scale explains why spatial locality holds in the emergent dimension. What happens in one place doesn’t jump to another without passing through the points in between. http://ecoechoinvasives.blogspot.com/2017/08/does-george-musser-get-bj-hiley-yet.html In other words it's not just all "process" which is the standard New Age nondualism monism answer. Rather is it noncommutative process as complementary oppossites. I actually corresponded with B.J. Hiley about this secret! He said, yes I know that time-frequency is noncommutative. So Hiley explains to Musser. http://ecoechoinvasives.blogspot.com/2018/01/listening-to-5th-dimension-how.html

I wrote the below article 10 years ago - and it's based on Alain Connes music math research although I had just started to read Connes, so I don't reference him in particular. https://www.mind-energy.net/archives/283-Gurdjieff-and-the-Triode-Amplifier.html drew hempel on April 12, 2008 at 6:01 pm This should get translated into Spanish by another reader of my stuff who has a blog. MAGIC OF THE SENSES: THE HEMPEL EFFECT by drew hempel, MA (anti-copyright) People think I’m a writer but I’m a musician at heart. Also I’m not trying to “hook” anyone and I’m totally against the concept of a Western music melody “hook,” a concept which is transferred to writing. The Western “hook” is the commodity fetish. I posted on Brainsturbator that he does not understand my views yet — even though he’s posted my writing and has called me his “internet buddy.” This is sad. My views are very radical. The West is obsessed with tools — and the whole shamanic drug scene is not alchemy based on nonwestern music. Alchemy requires creating electromagnetic fields through resonance. So the qigong master I studied with eats only one small meal of veggies a day and fasts one day a week and he sleeps only 4 hours a night, while creating “holographic lasers” (Western term) that burn the middle of peoples’ brains — all over the world. The person I took classes from, qigong master Chunyi Lin, http://springforestqigong.com, heals people, after the Mayo Clinic, the top hospital in the world, can not heal them. Drugs are basically nothing to him (another student stated that Master Lin had to alchemize a deadly poison as part of his qigong training). All the conceptualizing by Western druggie-techno shamanic types is practically a total joke. The philosophy that I write about is VERY radical — and undermines even the concepts of “frequency” and “amplitude” — so it has practically nothing to do with “biophotons” or “archetypes” — etc. Obviously I may write about that stuff but the basic premise of my analysis argues that number is inherently resonating as complementary opposites: One plus one does not equal two. The most important and central point of quantum physicist Dr. Amit Goswami is that consciousness is phase, beyond time and space. So electrons, when entangled, are actually resonating from consciousness phase into spacetime to create “constructive interference” waves. It’s through something we can not measure. No tool resonates consciousness, not even a drug. Let’s put this back into music theory — where “phase-shift” and “amplitude” and “frequency” come from. I was chatting with my coworker recently about these issues — specifically how in Pythagorean harmonics C:G is 2:3 (yang or male) while G:C is 3:4 (yin or female) and C x G is 6 while G x C is 12. Normally the inversion would be the same value, as per the commutative principle, A X B = B X A, but instead it’s twice the value. There’s another way to analyze this difference, instead of the introduction of amplitude using commutative property based square numbers, whereby doubling the octave as frequency is turned into squaring the octave (two having the same value for doubling and squaring) — this difference can also be understood as phase-shift. INTRODUCING THE HEMPEL EFFECT As biophysicist Vitus B. Droscher states in his book, “Magic of the Senses:” So in other words to create the second and third harmonics so that the second harmonic, 2:3, has the same value as the third harmonic, 3:4, the phase-shift is just inverted — or the sound wave just vibrates in reverse so that what was up is now down, what was a crest, is now a trough. Droscher sums it up: But we can see that when we play C to G, as 2:3, on the piano, inverting G to C as 3:4 is not visually correct (2:3 plus 3:4 is more than 1). Yet clearly the first harmonic, 1:2, C to the octave C, is half of the third harmonic, G to C, 3:4, so that the reverse of the phase causes the second harmonic to sound like the third harmonic, transforming 2:3, C to G, into 3:4, G to C. Most importantly, when this conversion of phase as complementary opposites (2:3 is yang and 3:4 is yin) is put back into standard measurement of amplitude and frequency, the values are wrong, as Droscher demonstrates with his Fourier graphs. Almost everyone has heard about the Doppler Effect. The speed of the sound is the same but the frequency “appears” to increase because the pressure is increased for the listener — the waves bunch up. It happens when a plane flys towards you or a train comes at you. So, in fact, it’s a change in amplitude (strength of sound measured as change of time distance or velocity) instead of change in frequency (speed or time as distance) even though it sounds like a change in frequency. This same Doppler Effect when used for light is called a “shift” as in phase-shift — so there’s a blue-shift or red-shift in light. But technically the Doppler Effect is not a change in phase, because, again, the speed does not change, it gets compressed as time distance or amplitude. There is much confusion and debate in astronomy about whether a phase-shift of light is caused by change of amplitude as velocity or in contrast a phase-shift of light is caused by change of speed as phase (a change in the actual gravity wave as spacetime). Einstein was inspired by the Doppler Effect to state that the speed of light does not change but also gets compressed, like sound, so that for light, time as frequency appears to go faster while space gets bunched up. O.K. now back to the other ear perceptual illusion that Drosher identifies — in this case the amplitude does change (the strength or distance velocity of the sound wave) but instead it is caused by phase-shift — not the frequency or harmonic, but the actual change in time distance. So we get the measured change in amplitude (strength as change in distance) due to the constructive and destructive interference resonance from phase-shift (time as distance), but the frequency (pure number as harmonic ratio) has not changed. We are told that the visual measurement is correct — that indeed because of the change in time as distance (phase-shift speed), there is indeed a real change in amplitude (strength as velocity) even though the ear does not perceive this change. So in the first case, the Doppler Effect, the speed as phase (time as distance) does not change, but amplitude (distance velocity as strength) does change with the perceptual illusion that frequency (time as pure number or harmonic) changes. In the second case the speed (time as distance) as phase does change, but frequency (time as harmonic) does not change with the perceptual illusion that amplitude (strength as distance) does not change. The ear hears no difference in the phase shift (time as distance) of the fundamental, second and third harmonic, even though the visual time as distance measurement shows a change in amplitude. Let’s call this second case of perceptual “illusion,” the Hempel Effect. The Hempel Effect is primary to and even more important than the Doppler Effect. In actuality the Hempel Effect shows that the problem is not with the ear but with measuring time, or phase speed, as distance. Remember the central point of quantum physicist Dr. Amit Goswami — phase is consciousness (not time) which can not be measured. For example, the holographic physicist Dennis Gabor dubbed this paradox of amplitude and frequency inversions, the “Time-Frequency Uncertainty Principle” (primary to even the Heisenberg Uncertainty Principle). This “time-frequency uncertainty principle” inherently limits the ability for science to model how the brain actually perceives sound — or any other perception for that matter. But Gabor was still relying on measuring time as distance, so that the higher the frequency (phase speed), the more the amplitude was spread across the energy spectrum, creating a “divide and average” uncertainty. What I’m saying is more radical — I’m stating that number itself resonates as harmonic complementary opposites (not divide and average), without a reference to speed, without the need for time as distance, so that the wave-form of complementary opposites creates the whole energy spectrum, just by practicing the harmonics — alchemy. THE INFINITE SPIRAL OF FIFTHS WHICH CAN NOT BE SEEN So let’s return to the Doppler Effect — the bunching up of time as distance strength (amplitude) to create the illusion of change in frequency (time as distance). When amplitude (time as distance strength) is compressed usually there is a shock wave which then resonates in reverse to cancel out the first sound wave amplitude. This has been considered to be the standard for sound waves — as the sound wave spreads as time distance the amplitude decreases, even though the frequency speed is the same. But, as I’ve posted recently at http://mind-energy.net, it’s now been proven with the new “macrosonic” technology that thermoacoustics enables an almost unlimited level of sound amplitude, if the “phase” or time as distance is in the geometry (spacetime) of a cone, or full-lotus tetrahedron of complementary opposites. The opposite contradiction to the typical measure of frequency and amplitude occurs with sonoluminescence — the creation of light from sound. In this case the speed (time as distance) of sound changes because of the change in the wave pressure medium (gas or water) creating “cavitation” — a bubble — also called vaporization. As the continued “amplitude” of the sound compresses the time as distance, then the shock wave causes the bubble to collapse, making contact with the quantum vacuum. This quantum vacuum creates synchronized energy as light, literally with the temperature of the sun. Notice that temperature (heat as time distance amplitude of particles) is not the same as quantum energy intensity because of the reliance on pressure or resonance. That’s the magic of quantum vaporization — why people can walk on hot coals — why Bushmen trance dance shamans can hold onto burning wood, why Himalayan yogis can sit in full-lotus outside all winter long without any clothes on and without food. It’s been documented that even some shrimp make this sonoluminescence and as I’ve posted at my blogbook, http://mothershiplanding.blogspot.com, the same synchronized pressure process is now argued for the creation of stars and galaxies — hypersonic turbulence. The math for these phenomenon (the Doppler Effect and the Hempel Effect) is not unified — there are singularities between the statistics and logarithms. A proper understanding of sound as pure number harmonic — the “unknown quantity” of 2/3x, (the harmonic of the Perfect Fifth), whereby the 2/3x is C to F and F to C is 4/3x — is instead not a visual unknown quantity but a sound unknown quantity. We’re measuring (with pure number of logical inference) something we hear. The “spiral of fifths” does not line up with the geometry — the harmonics are not doubled as string lengths, but are halved as complementary opposite overtones whereby C to G is 2:3 and G to C is 3:4. The Western “circle of fifths” harmonics is actually an infinite “spiral” of fifths in nonwestern music alchemy. The energy spectrum is created through the fifth-fourth (yang-yin) inversions, as pure number harmonic of wave-form, regardless of whether we can hear it or not — without change of time as distance strength. The Hempel Effect is not an “illusion.” The fact that we hear the fundamental, second and third harmonic (octave, fifth or yang and fourth or yin) as the same, regardless of the change in time as distance (phase) demonstrates that the comma of Pythagoras (the Tetrad, 1:2:3:4, as infinite spiral of fifth-fourth complementary opposites) should not be “averaged” into western tuning. The harmonics as octave, 1:2; fifth, 2:3 (yang); and fourth, 3:4 (yin) should be allowed (through nonwestern music) to continue resonating as the natural “push” and “pull” of the fourth-fifth to the octave (that doesn’t line up with a visual geometry). This practice in alchemy is the 12 “notes” of the body-mind instrument as the “small universe” scale or Taoist yoga practice called the microcosmic orbit. The Pythagorean Tetrad, 1:2:3:4 (octave, fifth, fourth), in three dimensions, is the full-lotus yoga position. So back to that thermoacoustic — sonoluminescence mystery — how the full-lotus yoga position enables unlimited amplitude without the cancelling out reverse shock wave (macro sonics) but also how the sound vaporization bubble creates light within and outside of the body-mind. The answer is the Klein Bottle — which in reality can not be visualized, regardless of its popularizers. The Klein Bottle — the ancient Oroborus — is also the Tai-chi symbol — it’s the three gunas of Indian philosophy, the Pythagorean Tetrad. It’s the same visual paradox (of amplitude, phase-shift and frequency) that Droscher publishes in his book and that I’ve now dubbed the Hempel Effect.

yes getting a "Fields Medal" in math is more difficult than getting a Nobel Prize. So how is it that ONLY Alain Connes has recognized that music theory is actually noncommutative phase? This is because Western mass mind control is actually "symmetric" mathematics from the wrong music theory! Nonwestern music theory is noncommutative phase! This is what math professor Luigi Borzacchini calls "deep pre-established disharmony" that "guides the evolutive principle" of Western science. Math Professor Emeritus Luigi Borzacchini (origin of above 9th Century Boethius image from Philolaus (5th century BCE)) http://www.academia.edu/16496242/Incommensurability_Music_and_Continuum_a_cognitive_approach._Arch._For_History_of_Exact_Sciences_61_2007_273-302._http_dx.doi.org_10.1007_s00407-007-0125-0 So here is an image of the Pythagorean Tetrad as noncommutative phase - so by changing the "direction" of the Perfect Fifth as 2/3 then the geometry is changed from C to G as 3/2 and C to F as 2/3. These Perfect Fifths do no line up with the Octave since 2 does not go into 3 - and so this noncommutative phase empirical truth of reality was covered up by Western math, in order to try to "contain" infinity as geometry! The truth is infinity as time as the 5th dimension. This is what Alain Connes has rediscovered. So the order of the Perfect Fifth and Octave then changes the value. This is why Alain Connes states the ratios in both order - 2 to the 19th AND 2 to the 12th and 3 to the 19th AND 3 to the 12th. To quote the above article, that also, rarely, acknowledges this noncommutative phase truth of music theory as math: Epimoric Ratios and Greek Musical Theory by Fabio Bellissima, in Language, Quantum, Music Editors: Dalla Chiara, Maria Luisa, Giuntini, Roberto, Laudisa, Federico (Eds.) https://www.springer.com/la/book/9780792357278 And so in fact music theory is the origin of the WRONG "symmetric" Western math that is mass mind control - and only Alain Connes has figured out this truth about noncommutative phase - as well as Eddie Oshins realizing noncommutative phase explains nonwestern shamanic meditation - Neigong in particular. Durdevich, Micho Institute of Mathematics, UNAM (Mexico City) “Music of Quantum Circles” 10/2015 So this mathematician is also referring to noncommutative phase of music theory as being quantum.

Fields Medal math professor Alain Connes,

The Alain Connes lecture explains the music theory connection to nondualism. I figured this out on my own - first in high school as intuition. But I had to work out the logic - by "unlearning" the Western symmetric math mind control lies. Here is an extended excerpt from the lecture. Fields Medal math professor Alain Connes,

http://ecoechoinvasives.blogspot.com/2018/02/the-blue-light-of-blues-music-ii.html Most of the images are from that link. http://ecoechoinvasives.blogspot.com/2018/01/summarizing-de-broglie-pilot-wave-law.html This is quotes from physicists on the implications of this secret. 77 different sources summarizing the de Broglie Law of Phase Harmony and Spirituality

So this time-frequency uncertainty of 1/2 spin can not be "visualized" by Western science - (except using Weak measurements - which is a new technique studying the double split experiment).... Why? Because it is "noncommutative phase" - meaning the ORDER of the math changes value depending on which variable is measured first. So the scientist is "part" of the experiment. So you have the complementary opposites being "entangled" at the same time through the 5th dimension. Swapping at the half way point of spin 1/2 means the 5th dimension that can not be visualized but is quantum entangled as noncommutative phase David C. Lush Composite Photon Energy-Frequency Relation based on de Broglie's Law of Phase Harmony