Lairg

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Everything posted by Lairg

  1. Karma exists outside the individual. Our actions may cause pain to the greater Entity within which we exist. That Entity pushes back so that we learn not to pain It. Karma variously is personal, family, group, national, planetary, systemic, galactic... Apart from personal, karma follows lines of least resistance. Thus a human may on occasion ask the Lipika Lords for group karma to be diverted. In the few cases I have observed, such requests are often granted if the human is progressing well. Karmic energy is usually attached at the left shoulder, extending in an arc to the left hip. More extensive karma can cover the whole body like a sphere. https://www.theosophy.world/encyclopedia/lipikas
  2. > The inner burning up is high loads of life force (spiritual light) hitting resistance in the body. It was the channelled energy that was meeting a restriction in his throat. So when he stopped calling in the flow, the restriction was not a problem. Calling in the flow is not the same as sending the healing entity to do remote work
  3. It looks like an entity sitting on the top and back of his head pushing light through his throat chakra. There is slight resistance in his throat substance so that some of the light pools there causing accumulation of fluid in his neck. Watching a video of him in front of many wanting healing, it seems that the energy through his throat enters the people through their throats - thus bypassing the common blockages in the head and brain that limit the vertical flow of light into the body.
  4. The simple measure of progress is which planes/subplanes are under internal control by the human The various subplanes have natural tests/skills associated but it is simpler just to measure the subplane progress
  5. Mind Body cultivation

    Solids, liquids, gases, 4 aetheric subplanes then the 5 Hindu electricities - thus making up the physical plane and what stands under it. My observation of the aetheric brain is that there is an interface layer that allows the mind to connect to the brain. Among other causes, repeated blows to the head may knock loose the interface layer so that the mind has only limited connection to the brain. The interface layer looks like a yellow honeycomb structure Dementia "late 16th century: from Latin, from demens, dement- ‘out of one's mind’.
  6. Mind Body cultivation

    It could be that there is a physical/etheric body, an emotional body, a mental body and a buddhic/heart body. Each is an energy structure on its own plane - with many resonances/harmonics to higher and lower octaves
  7. Mind Body cultivation

    It may be useful to distinguish brain-thoughts from mind-thoughts. For example in NDE it is common that there is no brain activity while the human is observing everything from near the top of the operating theatre. Further, the mind-body dichotomy seems to ignore the emotions-heart dichotomy. Women certainly notice the lack.
  8. What are the mechanics behind chanting?

    I learned in Transcendental Meditation when they used to give the advanced techniques. There is some evidence that such mantras need to be passed through an appropriate lineage. One school I knew of break-away TM teachers seemed to have a lot of failures in their teaching.
  9. What are the mechanics behind chanting?

    Observation of various women and men. My sample of caesarians is not great enough to be sure that it always leaves the base chakra unopened. It was true for my mother. Where the human female is a visitor to the galaxy and has not given birth naturally, it usually only takes a request to her higher identity to open the base chakra to the cosmos
  10. What are the mechanics behind chanting?

    The shape of the base chakra makes its status clear
  11. What are the mechanics behind chanting?

    The lower chakras may have complications. For example the base chakra is open in women that have given birth naturally - connecting them to the Cosmos - but otherwise not open until first stage enlightenment.
  12. What are the mechanics behind chanting?

    I was taught a silent mantra that resonated in my chakras - a sequence from above my head down to the solar plexus
  13. What are the mechanics behind chanting?

    Since the human energy system exists on many planes of Existence, it is possible for a refined human to propagate chants on various planes. So the chant may: - focus on a particular plane of Existence - direct energy towards or away from a target entity/structure - use frequencies/harmonics to produce particular changes - use intent to drive a process/relationship/outcome. An obvious example of this is singing a baby to sleep - typically using etheric and emotional subplane substance. The refined human may "sing" a new entity into existence. Out-of-phase frequencies may take entities out of existence if the human has sufficient authority. Chants need not be physical sounds.
  14. Lobsang Rampa (at least in the earliest books) has some significance. His publisher variously described him and tall and fair, and short and dark. Perhaps he really was moving his substance to his new body. It is likely that important Tibetan techniques were veiled with allegory.
  15. I recall now that the Tibetan practice was drilling a hole in the forehead so that the third eye would operate. It seems a very dense approach to a spiritual faculty.
  16. As I recall Lobsang Rampa recounts a Tibetan practice of drilling a hole in the top of the head. It is hard to understand that could be of direct value. Perhaps it is an outer form of an inner practice. For example there are often adverse entities attached to the top of human heads deliberately blocking the vertical inflow of Light.
  17. Navel chakra and dantian

    The navel chakra in women I have observed, starts just above the navel.
  18. Navel chakra and dantian

    It is important that the intelligence of the navel chakra feels loved by the human. Send heart-light to that chakra spirit to promote emotional and physical health
  19. Navel chakra and dantian

    Navel chakra concerns emotional energies. For spiritual growth it is better to meditate using head or heart energies
  20. Dreams

    My observation is that some of my dreams are on parallel timelines. Parallel processing may accelerate my learning
  21. In ancient times many gods were depicted with blue skin e.g. Krishna (confirmed by a local eye witness I know - she said turquoise skin). And: "One of the first beings I saw was a girl with light blue skin. She had no hair, but she was very beautiful. She was wearing a skin-tight grey suit and I saw her shipmates standing behind her in the same uniform." https://www.mirror.co.uk/news/weird-news/woman-who-daily-alien-encounters-26073545 Sometimes green as with Al-Khidr and Osiris and Ptah
  22. Visualisation - any good?

    Inner events/visions/dreams usually remain as energy fields and it is possible to re-enter the energies and continue to interact
  23. Visualisation - any good?

    All of the 5 (or 12) senses can be developed on every plane and subplane. The sequence of development varies amongst humans. Relevant subplane substance needs to be accrued and formed into sense organs by practice. Visualisation is one such practice
  24. Visualisation - any good?

    Most humans develop clairsentience (feeling energy) before they develop clairvoyance (seeing energy). It may protect one's ego to declare that what is not yet developed is not so important
  25. Visualisation - any good?

    With practice visualisation extends from imagination into actual sight - lo res to start with but progressively improving and extending up the spectrum from matter to spirit. Sight is actually a two-way process - regardless of whether the eyes are open. Open eyes - move your eye-beam slowly back and forth crossing the palm of your hand. Usually the palm will feel warmth. If not, do it more slowly and with intent. Then run your eye-beam across a smooth floor on to carpet and back. Feel the change in the eye sensation. Now do it with the eyes closed. It still works Now, eyes closed, move your eye beam through the nearest wall and feel for objects/spaces/entities on the other side