Pablo

Rather than choosing between labels, I would focus on methodology. The clearest Taoist path I have found is given by Bruce Frantzis Kumar in his book "Relaxing into your Being". I have written a brief summary here. Theravada Buddhist progress map is probably the best in many ways for westerners, check this. See that most of energetic descriptions here in Taobums match with Theravadas's Arising & Passing stage. I highly recommend Daniel Ingram's MCTB book which you can read for free in the previous link. Next year he'll print an expanded edition. Having said that, I'm 100% on Taoist/Zen's Return to the Source/Note Vanishings, as described by Shinzen Young (pages 95-103). It's a truly (no bullshit) Taoist path boosted by an Buddhist analytic frame. The progression map is described here (pages 40-45). Best wishes!

Hi, you may be interested in reading the progress of insight as described by the Buddhist Theravada tradition. Cannot say much, but most of unenlightened taoists like me experience over and over again the symptoms described in "Mind & Body", "Cause & Effect" and "The Three Characteristics". Have a look at: http://www.dharmaoverground.org/web/guest/dharma-wiki/-/wiki/Main/The%20Progress%20of%20Insight?p_r_p_185834411_title=The%20Progress%20of%20Insight Best wishes, Pablo

Yeah, I love that clip. At first foreign people tend to see Tango as Hot, but once you get into the music and dance, you'll feel a whole range of emotions in a single song: desire, passion, sorrow, nostalgia, protection, anxiety, calmness, euphoria, hapiness, etc. Hear with eyes closed all the sections you have in a single song:

When the teacher tells you to open your chest, try doing it as stated above. It's a relaxed way of openning it. Of course, you're not floating LOL so you need your legs pushing up from the ground. Like Taiji, you sink your chest, let the energy drop down to the ground and rebound through your legs and push/pull outwards from your tantien. Weight distribution is 100/0 mostly, even in "open step" (though it may feel like 80/20 while leading "voleos". You always push from the base leg (full), and not falling into the next (empty) step. Not at all! Just Bagua. You will eventually find some spirals going up and down your base leg, but what I'm talking about is thinking the human body as an X, a sand watch, an inverted cone on top of a cone, with the tops touching at tantien level. A circle at shoulder level triggers a circle at feet level (through a descending spiral), and the opposite too. Also, both circles can go in same direction or the opposite! Best

Hi Taomeow, Good to see you liked the video! Unfortunately I didn't save the last post. A quick summary of it would be: 1. stance-embrace: roll your shoulders back vertically, not horizontaly, that will allow you to sink your chest. You lead with the shoulder-blades, not with your chest. 2. older tango style use an inverted V embrace, while "nuevo tango" (mid 90's onwards) uses a II opening & closing embrace (and leaves inverted V for a special dramatic effect or for "volcadas"). 3. In Nuevo Tango, thrust (push & pulling) comes 70% from lower tantien and 30% middle tantien in males, in females the opposite. 4. Though Taiji and Nuevo Tango share some similarities like subtle manipulation of the "opponent" (push & pull by elastics), pushing from the ground vs falling into the step, sitting in the kua-femur heads before "sacadas" and other common moves, Tango is much more similar to Bagua because of the heavy use of upwards and downwards spirals. Below a typical example of Nuevo Tango, dancing a zamba (native folk music) in a tango way. The film taken from the roof let you see clearly the spirals. Other Tango Nuevo clip: http://www.youtube.com/watch?v=Ga1dUZm6lbc Older Tango Style: And why not some Milonga too?

Eliminated due to the lack of replies.

My questions are: - Even though Liu Hung Chieh was already recognized as "enlightened" in the Mahayana Tien Tai school of Chinese Buddhism, he later on focused in taoist meditation practices. So, what aspects of the spiritual road he considered not covered well enough by the buddhist practices? Also, did Liu Hung Chieh mentioned what insights of the Buddhist tradition are harder to get in Taoism? - Does the Water Method "flattens" the peak and pit stages in the Buddhist path, named "Arising & Passing" and "The Dark Night of the Soul" ? Thanks for your help. Pablo

Yep, I practiced the standing meds for a couple of months and then started to add the seated ones. Daily practice, really slow motion and awareness on your body reactions would bring you tangible results. Best,

IME the best DVD collection available is Flying Phoenix Celestial Qi Gong. There's a +26 pages thread of practitioners comments and Sifu Terry Dunn answers here in TaoBums!

If your goal is Taijiquan, then horse stance (20'), front stance and back stance (10' each, both sides) postures of the long-form is what you may need. Once your confortable with them, you can try really slow-slow motion within the postures, and so learn to recruit every square inch of your body to move. The more relaxed you are, the easier it will be to feel all your body and the connections within. Also, you need to supplement this workout with some Yang and Wu neigung exercises you like (check Youtube).

Sifu Terry, Thank you for your detailed answer and encouraging words! I'll redouble my efforts and post in the future any new insights or problems that arise in my practice. Best wishes.

Hi John, I'm a newcomer to FP Qigong, but even with only a 2-month experience I can say that the most basic standing FP meditations are ten-fold stronger than a 3-year practice in Hunyuan Qigong (FZQ) and a +100 times worth most Eight Piece Brocades seen in youtube. If only I would have known FP years ago... Sifu Terry mentioned before in this thread that once you have a solid amount of practice in FP, you could discern with greater ease how powerful other qigong systems are. Best,

I could see the pale blue aura before, but not consistently. The pink-red one after starting FP. The experience with the book at the park too, and it was radically different as auras where not elusive but always there, easily seen, and the pale blue was intense, like turquoise.