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Found 2 results

  1. As I have mentioned Agrippa's work has a general structure in which the first chapter introduces a topic and subsequent chapters develop it, thus the section on Occult Virtues: First I would like to quote from Thomas Kuhn, the man whose book, The Structure of Scienfific Revolutions, introduced the concept of the paradigms and their shifts: After finishing his discussion of the elements with a discussion of the Virtues dependent upon the elements in Chapter 9, Agrippa introduces the Occult Virtues in the following way: to attract Iron: the attraction of iron to a lodestone was one of the primary illustrations of occult virtues, while we now explain this in a certain way, there is no rational reason why considering it also a manifestation of the "virtues" or "powers" inherent in lodestone and iron is not valid and an example of looking at things in the context of a different paradigm. these vertues are a sequell of the species, and form of this or that thing: Though I was not completely familiar with Aristotle's Four Causes at this time, I was reading texts in alchemy in which Aristotelian terminology was used and in which the medicinal "virtue" of an herb could be viewed as the result of extracting its "form" through "spirit of wine", i.e. alcohol. I will examine the most important of these texts as I go along and this idea will make more sense after the second post in this series. these vertues having much form, and litle matter, can do very much: It is a matter of learning to extract the virtue or power or to enhance the activity of the virtue through appropriate action. Again more in the next post. they are called occult qualities, because their Causes lie hid, and mans intellect cannot in any way reach, and find them out. Wherefore Philosophers have attained to the greatest part of them by long experience, rather then by the search of reason: They are "occult" because hidden and unlike elemental virtues, which can be deduced from the qualities of the elements and the proportion of their compound, the occult or "hidden" virtues must be found out by experience. Those who were following my discussion of Aristotle's Four causes may now realize why in a humorous response to Descartes criticism of Formal Causes I said: Agrippa outlines the cosmological setting for this in Chapter 11: Platonists say that all inferiour bodies are exemplified by the superiour Ideas: At the top is "God" or "The One", depending on ones ontological commitments, the ideas as conceived of by Plato, are rooted in this one and then they exert an influence all the way down, through the forms as envisioned by Aristotle and into our world, where they manifest as the occult virtues or "hidden powers" of natural things. Ideas in this sense are active and creative powers, not mere abstractions present in our consciousness. they define an Idea to be a form, above bodies, souls, minds, and to be one, simple, pure, immutable, indivisible, incorporeal, and eternall: On the highest level they are simple, but as they descend they mix with each other and become more complex. they place Idea's in the first place in very goodness it self (i.e.) God: While Agrippa my mean God in a circa 1500 Roman Catholic sense, this is not to be confused with god as thought of by your local neighborhood fundamentalist yahoo and it can also be separated from any taint of Abrahamic revelation by being conceived of as Plotinus' One, or even the Dao. In the second place, they place them in the very intelligible it self (i.e.) in the Soul of the world: Here they are on a lower level and are a part of the animating power of the Universe. It must be remembered that a Platonic world is a living soul, filled with souls, not a mechanical universe consisting of dead matter. They place them in nature, as certain small seed of forms infused by the Idea's: Here we start to get closer to our own world and this idea of a seed of forms was to prove “fruitful” as I began to look at them as “seeds of power” which the Platonic Magician learned to cultivate, both in him or herself, but also in the external world. For Idea's are not only essential causes of every species, but are also the causes of every vertue: This simply reaffirms what I said before, the causal efficacy of the “ideas” is manifest all the way down to our world, where they manifest as “power” that can be harvested and harnessed. This cosmological structure going from ideas in the “Mind of God” to their manifestations as physical objects here on earth, is called “the Great Chain of Being" and was the fundamental idea of how the Cosmos functioned from the Hellenistic period to about 1800. Its History and development have been admirably chronicled by A. O. Lovejoy in his book of the same name, The Great Chain of Being. For the moment skipping over chapter 12, we will quote from Chapter 13, where the Great Chain of Being is further examined: Therefore Plato, and his Schollers [scholars] attribute these vertues to Idea's, the formers of things.: Again affirming the causal power of the ideas. The Form therefore, and Vertue of things comes first from the Idea's: The form in the Aristotelian sense is the idea manifesting as a "formal" cause. There is therefore no other cause of the necessity of effects, then the connexion [connection] of all things with the first Cause, and their correspondency with those Divine patterns, and eternall Idea's, whence every thing hath its determinate, and particular place in the exemplary world: Again the Great Chain of Being. At the top is the One, which differentiates on down the Hierarchy to manifest in our world. And every vertue of Hearbs [herbs], Stones, Metals, Animals, Words, and Speeches: It is noteworthy that Agrippa includes words and speeches as a potential manifestation of “hidden powers”. He ends his First Book on the subject of "Words, and Speeches" and then expands on it in later books. These two sections are Agrippa's basic exposition of a cosmological structure that occurs in other places in the Three Books and is an important part of his “theory of the practice”, the base cosmic circuit board, you might say, of Platonic Engineering. All cited references to Agrippa's Occult Philosophy are from Joseph Peterson's Twilight Grotto, a very useful site. Edit: Changed humerous to humorous, the spelling being something of a bone of contention.
  2. For some time I have been asking myself how best I can further the topic of the study of Agrippa, and the conclusion that I came to was to clarify the relationship between Agrippa's Occult Philosophy and the Philosophy of Aristotle. It is simply not possible to get a good understanding of Agrippa without an appreciation of Aristotle, in particular his doctrine of the “Four Causes”. Other aspects of Aristotelian thinking are important also, but it starts with these “Four Causes”. In the modern world the basic tendency is a viewpoint created in the Seventeenth Century in which the basic categories are mind and matter and objective and subjective. If you watch the discussions here on the Tao Bums and elsewhere you will see these terms bandied about with little attempt to understand them, but with a great deal argued from them. I will deal with them and their effects on the Modern Mentality in a series on Agrippa and the Scientific Revolution, but for now the most important thing is to understand what those Revolutionaries found so revolting about the worldview Circa 1500 and what about it may have been worth preserving or reviving as part of our understanding of Traditional Magic and its application to modern magic. This is the beginning of the Wikipedia article on the Four Causes: The further discussion in the article is also worthwhile. This is a fair first step, but in order to understand its application to Agrippa and to other aspects of the Occult Philosophy of his age we will have to dig deeper. That is the intent of this thread and I will examine all of these in more detail and their relationship to other aspects of Aristotle's thinking and then their applicablity to understanding how and why Agrippa thought magic and by extension alchemy and other “esoteric” arts should be practiced. As I develop this thread I will expand on the above, examine them for their applicability to understanding Agrippa, how to understand modern magic in these terms, why they are relevant to an understanding of modern science and how they can reconcile science and magic, and extend magical theory and practice. Questions and comments are welcome and I will answer them according to relevance and as time permits, in some cases putting an answer off until more groundwork has been laid, even to the extent of answering it in another thread, such as the one I am thinking about the Scientific Revolution.